The Criterion Collection
Features
Jul 17, 2019 — In Spain, as Pedro Almodóvar was getting ready to leave home, no young man argued with his father about politics, no one wanted to discuss or refight the Civil War. Instead, the argument was about the length of your hair,...
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
Criterion Designs
Jul 15, 2019 — Studio Visits Looking at a painting by Gregory Manchess is like stepping into another world. Over the course of his forty years as a professional illustrator, the Kentucky-born, New York– and Oregon-based Manchess has created an adventurous and sweepingly immersive...
The Daily
Jul 11, 2019 — Once again, the Cineteca di Bologna has presented a richly varied showcase of discoveries, rediscoveries, and new restorations.
Jul 11, 2019 — The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”
Jul 11, 2019 — When we think of Ingrid Bergman, we may immediately call up images of her “you deserve this!” smile, or the indecision on her face in Casablanca (1942). There is a rare kind of suspense in watching Bergman’s face in flux...
Features
Jul 10, 2019 — En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...
The Daily
Jul 5, 2019 — This week, we look back on the making of If...., black filmmakers in the 1990s, and the golden age of Mexican cinema.
Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...
Jul 2, 2019 — Father-child relationships come into focus in this week’s Short and Feature pairing on the Criterion Channel, which examines the trauma of coming of age with an emotionally unstable parent. Presented with Víctor Erice’s El Sur, Charles Williams’s All These Creatures follows...