The Criterion Collection
May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.
May 5, 2014 — Billy Wilder’s Ace in the Hole almost requires an honorary expansion of the term film noir. There are no private eyes in seedy offices or femmes fatales lurking in the shadows of neon-lit doorways, no forces of evil arrayed against...
Features
Mar 26, 2014 — The author recalls his encounters with the great Swedish actress.
Mar 11, 2014 — Presenting five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...
Features
Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.
Features
Mar 2, 2014 — The author shares his memories of the French filmmaker, who died on Saturday.
Features
Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.
Short Takes
Jan 24, 2014 — Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...
Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.