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This Is the End

Critical Returns

The Daily

Sep 27, 2024 — The times call for revisiting work by Robert Bresson, John Ford, Shu Lea Cheang, Brian De Palma, and Robert Towne.

Planet Waves

The Daily

Aug 16, 2024 — While we check in this week on Jane Campion and Clint Eastwood, IndieWire reassesses the best of the 2000s.

Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.

May 13, 2024 — Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

Apr 17, 2024 — Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.

Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.

Feb 27, 2024 — Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.

Feb 16, 2024 — This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.

Storytellers

The Daily

Feb 2, 2024 — The week brings the final issue of Cinema Scope, a revival of Not a Pretty Picture, and a series of films starring Jean Arthur.

Jan 3, 2024 — The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .

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