Persona

Jan 27, 1993 — In beautifully composed black-and-white and tempered by a gentle and nostalgic choral score, Kon Ichikawa's drama probes deeply into the moral chaos of war.

Sep 30, 1992 — The unprecedented popularity of this gender-bending sex farce inspired two sequels, a hit Broadway musical, and at least one transvestite nightclub.

Jun 16, 1992 — Of the 18 movies made by the filmmaking team of Michael Powell and Emeric Pressburger, none was as personally and artistically fulfilling as The Tales of Hoffmann. This dazzling screen adaptation of the Offenbach opera—a visual, sonic, and sensual delight—marked...

Dec 16, 1991 — Lady for a Day represented a watershed in the career of Frank Capra. The young director had been laboring at Columbia Pictures’ Poverty Row Studio, churning out 18 films in less than six years. He had moved from low-budget programmers...

Jul 15, 1991 — For only his second studio film, Peter Bogdanovich chanced directing an adaptation of Larry McMurtry’s elegiac novel about teenagers who come of age in a dying Texas town in the early fifties.

Jun 12, 1991 — I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.

Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Jan 7, 1991 — Roman Polanski’s riposte to Alfred Hitchcock’s Psycho was greeted as a brilliant, grisly potboiler that gave the thirty-two-year-old Polish filmmaker commercial entry to the West.

Oct 29, 1990 — Luis Buñuel’s ode to obsessive love is injected with the biting subversive wit, symbolism, originality and surreal touches that distinguish his finest achievements.