Jan 31, 2017 Brooklyn-based director Tim Sutton stopped by for a visit and sat down to chat about the films that have inspired his work and the importance of maintaining an outsider’s point of view.

Jan 9, 2017 Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with past best picture awards going to films like Michelangelo...

Dec 20, 2016 With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.

Nov 15, 2016 Harrod Blank shared a few words in remembrance of legendary singer-songwriter Leon Russell, the subject of his father Les Blank’s film A Poem Is a Naked Person.

Oct 19, 2016 Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.

Oct 5, 2016 Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.

Sep 12, 2016 Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.

Sep 2, 2016 Returning for its first theatrical run in fifteen years, this ten-part meditation on the Ten Commandments centers on the residents of a housing complex in late-Communist Poland, charting the moral and philosophical dilemmas that arise as their lives intersect.

Aug 26, 2016 ClippingsLast weekend, in conjunction with his new album, Blonde, musician and noted cinephile Frank Ocean released a limited-edition zine titled Boys Don’t Cry, which featured a list of his favorite films. Chungking Express, Eraserhead, Blood Simple, Solaris, Paris, Texas, and...

Aug 23, 2016 In honor of the filmmaker, who passed away in 2016 at the age of ninety-two, Alan Arkin recalls the man who directed him in two of his favorite films, Popi and The In-Laws.

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