The Criterion Collection
Essays
Dec 2, 1991 — Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...
The Daily
Jul 29, 2026 — Film Comment presents a series of works featuring, focusing on, and/or written by the famed critic and novelist.
The Daily
Jun 22, 2026 — A quiet highlight of last fall’s festival season, Milagros Mumenthaler’s third feature tours theaters through July.
Essays
May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...
The Daily
May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.
The Daily
Apr 23, 2026 — Over the next four days, the Museum of the Moving Image will be showcasing a wide range of “adventurous new cinema.”
The Daily
Apr 2, 2026 — The country’s 250th anniversary is only one of several good reasons to watch or revisit the films.
The Daily
Mar 11, 2026 — TIFF Cinematheque spotlights the work of both an Iranian exile and a Lebanese artist and filmmaker.
The Daily
Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.