The Criterion Collection
Essays
Feb 11, 2002 — Miloš Forman’s film is an amazing balancing act of subtle social satire and adolescent romantic longing, of blank despair and irrepressible hope.
Essays
Jan 21, 2002 — A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.
Nov 19, 2001 — Alfred Hitchcock’s first film in Hollywood is his earliest definitive statement on male domination and female subjugation.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Sep 17, 2001 — Elmar Klos and I usually work as equal partners, but in this case he left me a free hand. He knows that I am not thinking of the fate of all the six million tortured Jews, but that my work...
Essays
Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.
Aug 20, 2001 — Director Torben Skjødt Jensen discusses the "three aesthetic levels" with which he approaches his documentary portrait.
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
Jul 9, 2001 — John Schlesinger’s classic is an exuberant satire of a society caught between its old ways and the urge to modernize.
Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.