The Criterion Collection
Aug 23, 2019 — After more than three decades in front of the camera, Natasha Lyonne understands a thing or two about what makes on-screen charisma. Previously best known for her early-career performances in films like Slums of Beverly Hills and But I’m a Cheerleader, she has in...
The Daily
Aug 14, 2019 — A week into this year’s edition, a few critical favorites are emerging from the competition.
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
Jun 27, 2019 — Members of the cast and crew of Hedwig and the Angry Inch discuss the film’s defiant approach to questions of identity and politics.
May 22, 2019 — Claudia Weill, the director of the landmark independent film Girlfriends (1978), first knew she wanted to make movies in college, after a summer job on a set opened her eyes to the fully immersive process of filmmaking. But it was...
Interviews
May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...
The Daily
May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.
The Daily
May 17, 2019 — Moving from the merely unsettling to the outright bloody, the Brazilian directors come down hard on their new government.
The Daily
Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.
The Daily
Mar 21, 2019 — As Quentin Tarantino releases the first trailer for Once Upon a Time in Hollywood, the Cannes lineup guessing game is on.