The Criterion Collection
The Daily
Jun 1, 2017 — “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...
Jun 1, 2017 — Earlier this spring, Ryuichi Sakamoto gave an exquisitely intimate concert at the Park Avenue Armory in New York. Surrounded by a small audience in the venue’s opulent Veterans Room, the renowned Japanese composer was positioned in the center of the...
Essays
Jun 1, 2017 — Suffused with a quiet radiance, this Kazakh New Wave masterpiece grapples with cultural displacement through an allegorical tale of vengeance.
In Theaters
Jun 1, 2017 — The hallmarks of Japanese master Yasujiro Ozu’s mature style were solidified in this highlight from his silent period, playing this week in Washington, D.C.
Features
May 31, 2017 — Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone of his cult comedy Ghost World.
May 31, 2017 — Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.
The Daily
May 30, 2017 — Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...
Essays
May 30, 2017 — Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.
May 28, 2017 — The jury for the 70th Cannes Film Festival—Pedro Almodóvar (president), Maren Ade, Jessica Chastain, Fan Bingbing, Agnès Jaoui, Park Chan-wook, Will Smith, Paolo Sorrentino, and Gabriel Yared—has presented this year’s Palme d’Or to Ruben Östlund’s The Square.A special 70th Anniversary...
May 27, 2017 — Today’s journey back through Cannes history takes me to the festival’s fifty-ninth edition, when Ken Loach won the Palme d’Or for The Wind That Shakes the Barley—a film currently playing in a limited engagement on the Criterion Channel at FilmStruck....