The Criterion Collection
The actor reminisces about falling in love with Josef von Sternberg and Marlene Dietrich’s collaborations at a young age, praises Andrea Arnold’s distinct vision, and talks about how David Cronenberg’s films strike a unique balance between the extreme and the...
The actor praises the Dardenne brothers compassionate approach to filmmaking, talks about Michael Haneke’s use of long takes in Code Unknown, and gets excited to explore The Wes Anderson Archive.
The actor and filmmaker selects favorites like Touki Bouki, Memories of Underdevelopment, and Accattone; shouts out his recent collaborator Claire Denis; and discovers his own work on our shelves.
The actor talks about her favorite scenes in Beau travail and Punch-Drunk Love, admires Nicole Kidman’s performance in To Die For, and shares her desire to dance with Bob Fosse.
The legendary fashion designer talks about falling in love with The Red Shoes, shares why Moonstruck is a perfect movie to watch anytime and with anyone, and delights in the haunting glamour of Isabella Rossellini in Blue Velvet.
The actor selects favorite horror films like Videodrome and The Vanishing, talks about connecting with the work of Gregg Araki, and recommends that everyone watch Todd Haynes’s Safe.
The musician and actor talks about what makes Stan Brakhage’s films “very punk rock,” reflects on working with Jonathan Demme, and selects favorite films such as Black Girl and True Stories.
The legendary director shares his emotional first encounter with La strada, reminiscences about eating hamburgers at Bob’s Big Boy with David Lynch, and reveals the connection between his film The Fly and Ingmar Bergman’s Hour of the Wolf.
In June 2025, the New York Times published a list of the 100 best movies released since January 1, 2000, as voted on by more than 500 influential directors, actors, and other notable names in Hollywood and around the world....
The actor, screenwriter, and producer talks about the monochromatic world of The Spy Who Came in from the Cold, praises the way that the cinematography of Klute turns viewers into voyeurs, and shares why His Girl Friday represents Hollywood at...