To Be and to Have

May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

Mar 31, 2026 — A seven-film series in London takes measure of nuclear anxiety behind the Iron Curtain.

Feb 6, 2026 — There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.

Dec 3, 2025 — The Academy Museum celebrates film presentation with a series of twenty-four new restorations.

Jun 26, 2025 — One of the defining independent films of its era, François Girard’s provocatively splintered portrait of the great pianist finds playful ways of toying with the cultural mythologization of its subject.

Mar 31, 2025 — Steeped in theater history, Shinoda infused centuries-old tales with twentieth-century dynamism.

Feb 21, 2025 — The pioneer of African cinema carried “the inventive temperament of a dreamer armed with a firm political orientation.”

Dec 4, 2024 — For the New York Film Critics Circle, Brady Corbet’s third feature is the best film of the year, but not everyone agrees.

Aug 5, 2024 — The expansive program includes the world premiere a new restoration of Wake in Fright with a new score performed live.

Jun 26, 2024 — A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).