The Criterion Collection
May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.
Features
Sep 30, 2013 — The author describes his interactions with the great Polish filmmaker.
Jun 23, 2010 — “Wittily written and spare as a coded message . . . The year’s most perilous ride . . . , we wouldn’t exchange it for a season’s commutation ticket on most of the similar vehicles running out of Hollywood.” So...
Interviews
Apr 27, 2010 — From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...
Short Takes
Oct 29, 2009 — In the spirit of the season, we asked a select coven of horror mavens (including a couple of our own) to write about their favorite Criterion scarefests. Chuck StephensEquinox: The Eyebrows of Mr. Asmodeus There are myriad ways into Equinox,...
Essays
Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.
The Daily
Sep 3, 2026 — This year’s Venice opener propels us through the origin story of our current media hellscape.
The Daily
Nov 16, 2023 — A new restoration of beguiling 1970 oddity opens this weekend in cities across the country.
Sep 26, 2023 — In this vibrant, music-filled portrait of an artist and his community, director Luis Valdez gathers what little is known about rock-and-roll idol Ritchie Valens and fuses it with a lived-in understanding of what it is to be Chicano.
The Daily
Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.