The Class

Sep 16, 2019 — In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...

Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.

Nov 20, 2017 — World of Tomorrow Episode Two: The Burden of Other People’s Thoughts is headed to Dallas, Austin, New York, San Francisco, and Los Angeles. Don Hertzfeldt’s tweeted dates and links. New York. Aleksandr Sokurov’s Days of Eclipse (1988), “like Stalker, brews...

Sep 26, 2017 — Let’s start today’s round with a few books. Next month sees the release of Movies That Mattered: More Reviews from a Transformative Decade, Dave Kehr’s followup to his 2011 book, When Movies Mattered. Before he became a curator in the...

Sep 12, 2017 — New York. Tomorrow, Light Industry presents A Straighter Kind of Hip, a lecture by Felicity D. Scott. From Friday through September 24, the Museum of the Moving Image presents Film Is Like a Battleground: Sam Fuller’s War Movies. On Thursday,...

Sep 1, 2017 — New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around Episode 8 of Twin Peaks: The Return, now on through...

Jul 6, 2017 — We open today’s round, considerably briefer than yesterday’s, with Ridley Scott double feature—of sorts. Movie City News alerts us to an article by Scott himself that originally appeared in the August 1979 issue of American Cinematographer: “I felt that Alien...

Jun 22, 2017 — Repertory Picks This coming Saturday and Monday, Portland’s NW Film Center will screen Ernst Lubitsch’s 1942 screwball masterpiece To Be or Not to Be in 35 mm. Released during the height of World War II, this zinger-filled satire stars Carole...

Jun 15, 2017 — New York. “Among the most savage and surreal of Italian comedies, starring one of the country’s biggest stars”—Alberto Sordi—“and directed by one of its legendary filmmakers, Vittorio De Sica’s Il Boom barely made a ripple when first released, in 1963,...

Mar 3, 2017 — Did You See This? In his latest Cinema ’67 Revisited column for Film Comment, Mark Harris looks back at the rapturous critical reception of Ingmar Bergman’s Persona upon its release, calling the film a monument “to a moment at which...