The Criterion Collection
The Daily
Sep 18, 2023 — Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.
The Daily
Sep 15, 2023 — This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.
The Daily
Sep 12, 2023 — Cord Jefferson’s American Fiction and Kristoffer Borgli’s Dream Scenario are received in Toronto with applause, laughter, and a few reservations.
The Daily
Sep 8, 2023 — We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.
The Daily
Sep 8, 2023 — The festival launches new films by Wes Anderson, Richard Linklater, Harmony Korine, and Ibrahim Nash’at.
Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.
The Daily
Sep 1, 2023 — Stan Lee meets Alain Resnais, plus interviews with Molly Haskell, Babette Mangolte, and Manohla Dargis—and James Quandt on Jean Eustach
Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...
Aug 25, 2023 — Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...
The Daily
Aug 25, 2023 — This week brings restorations of work by Kira Muratova, a personal story from Werner Herzog, and conversations with Kim Morgan and Dustin Guy Defa.