The Criterion Collection
Essays
Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”
Dec 1, 1986 — Don Siegel’s Invasion of the Body Snatchers (1956) is one cult film that has also won over the cultivated buff. As Peter Morris remarks (in his Dictionary of Films): “Though one of the subtlest films of the genre, containing little...
Essays
Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.
On the Channel
Oct 25, 2019 — When he set out to become a director in the early 1960s, Herschell Gordon Lewis wanted to work on the kinds of movies that the major studios could never dream of making. His taste for the perverse gave rise to...
Jul 16, 2019 — Armando Iannucci will open London, and Locarno and Venice are preparing their 2019 lineups
Sneak Peeks
May 15, 2013 — Delmer Daves’s 3:10 to Yuma, driven by compelling mano a mano suspense, is quite a yarn. It’s no surprise, then, that it’s based on a story by the estimable Elmore Leonard. Known predominantly for his crime fiction such as Get...
The Daily
Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.
The Daily
Jun 16, 2026 — BAM presents twelve films ranging from the early 1960s through the late 1980s.
Dec 18, 2024 — The bulk of this year’s selections comes from a three-decade stretch from the early 1970s to the late ’90s.
Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.