After You

May 31, 2016 — With Alice in the Cites, Wim Wenders created one of the most nuanced and complex portraits of an empowered young girl ever seen on-screen.

May 18, 2016 — In 1966, Senegalese novelist-turned-director Ousmane Sembène achieved international acclaim with his debut feature-length film, Black Girl. His urgent and intimate portrait of a young woman who leaves behind the struggles of her native Dakar for an equally challenging life as...

May 11, 2016 — Repertory PicksTonight, as part of the month-long series Rossellini: Restored and Revisited, the Austin Film Society in Austin, Texas, will screen Roberto Rossellini’s 1950 existential masterpiece Stromboli. Starring the radiant Ingrid Bergman, the film was the pair’s first screen collaboration,...

May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.

Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.

Apr 26, 2016 — Combining Turner Classic Movies’ programming experience with Criterion’s library of films and supplemental content made all the sense in the world.

Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.

Apr 12, 2016 — Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”

Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Apr 4, 2016 — Ray Dolby did not match the conventional image of an eccentric inventor, nor that of a business mogul. But his name now represents a benchmark by which the recording of sound and its playback on disc and in movie theaters...