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Mar 3, 2020 American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...

Feb 26, 2020 Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...

Feb 26, 2020 Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

Feb 3, 2020 Nearly half of the awards presented over the weekend went to female filmmakers.

Jan 30, 2020 Elisabeth Moss plays Shirley Jackson, but Decker’s fourth feature is anything but a conventional biopic.

Jan 29, 2020 It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...

Jan 2, 2020 Steven Spielberg, Sofia Coppola, Spike Lee, Wes Anderson, Chloé Zhao, and Joanna Hogg are among the many directors ready to roll out their latest features.

Nov 20, 2019 A new collection of essays connects the dots between Farber’s paintings and film criticism.

November Books

The Daily

Nov 11, 2019 This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Oct 9, 2019 This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.

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