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Jul 11, 2019 — When we think of Ingrid Bergman, we may immediately call up images of her “you deserve this!” smile, or the indecision on her face in Casablanca (1942). There is a rare kind of suspense in watching Bergman’s face in flux...

Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.

Jun 29, 2018 — The festival’s fifty-third edition also features the latest from Radu Jude and a tribute to the Austin Film Society.

Sep 11, 2017 — “On paper, what could be more sordid than an interview-portrait with Issei Sagawa, the infamous cannibal who became a tabloid sensation in the early 80s after he murdered and ate part of a Dutch woman in Paris?” asks Dan Sullivan...

Sep 11, 2017 — “Brace yourselves,” warns Leonardo Goi, writing for Cinema Scope: “after the American sojourn that brought the likes of Face/Off and Mission Impossible 2 and a detour into Chinese historical-blockbuster mode with Red Cliff, John Woo has returned to the Asian...

Sep 11, 2017 — This first of two, possibly three, parts was slammed hard on Twitter the moment it premiered in competition in Venice, but, surveying the first wave of reviews, we find that it’s not going to be so easily dismissed outright. Let’s...

Sep 8, 2017 — “Argentinian first-timer Natalia Garagiola’s Hunting Season, a father-son drama set in the wilds of Patagonia, is the winner of the Venice Film Festival’s Critics’ Week prize,” announces Variety’s Nick Vivarelli. The prize, chosen by the festival audience, goes to a...

Sep 8, 2017 — Right on the heels of his report on this years Venice International Critics Week awards comes Variety’s Nick Vivarelli once again with news from the other independently run program, Venice Days. “Colombian new wave producer-director Jhonny Hendrix Hinestroza’s Candelaria, a...

Sep 6, 2017 — Here’s an overview of what the critics have been saying about the films screening at the seventy-fourth edition of the Venice International Film Festival, running from August 30 through September 9, 2017. Links from the titles will take you to...

Sep 4, 2017 — “Lebanon director Samuel Maoz went in a risky direction by making a film as different and daring as Foxtrot,” writes Jay Weissberg for Variety, “and his boldness pays off in ways that make one reach for superlatives. Not content to...