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To Beep Or Not To Beep

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

Apr 22, 2026 “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...

Apr 21, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful stops in cities across the United States and Canada. For our first trip this year, in partnership with PAM CUT, Criterion...

Apr 21, 2026 It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...

Apr 14, 2026 Consider, for a moment, the jewel thief. No, not like the gang that, at the time of this writing, recently robbed the Louvre in Paris, France. Think rather of one you might find in Paris, Paramount. After all, as director...

Mar 31, 2026 Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

March Books

The Daily

Mar 20, 2026 We’re reading up on the work of Jean-Luc Godard and Chantal Akerman—and Liza Minnelli has a new memoir.

Mar 11, 2026 TIFF Cinematheque spotlights the work of both an Iranian exile and a Lebanese artist and filmmaker.

Indie Dreams

The Daily

Feb 17, 2026 Clint Bentley’s Train Dreams was the big winner at this year’s Film Independent Spirit Awards.

Feb 6, 2026 There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.

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