The Criterion Collection
Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...
Essays
Dec 18, 2018 — Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...
Nov 13, 2018 — Turning to theater for inspiration, Kenji Mizoguchi transformed a popular eighteenth-century play into a spiritually charged meditation on forbidden love and societal oppression.
Essays
Dec 11, 2013 — This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.
Essays
Mar 27, 2012 — Coward and Lean? It may not sound as natural as Launder and Gilliat or Powell and Pressburger, perhaps because we don’t instinctively think of Noël Coward as a filmmaker or of David Lean as part of a team. But they...
Mar 27, 2012 — The mysterious letter was signed “Joe.” David Lean’s lawyer had sent me a batch of old correspondence. Struggling with a biography of Lean, I was desperate for any leads, and this one seemed worth following up. But how does one...
In a national cinema dominated by behemoth Hollywood studios, independently produced films have always made for refreshing alternatives.
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...