The Criterion Collection
Sneak Peeks
Dec 13, 2017 — Fifty years after the Summer of Love, Direct Cinema pioneer D. A. Pennebaker looks back on the Monterey International Pop Festival, which he captured in one of his greatest documentaries.
Oct 1, 2017 — “Since I saw Faces Places at its premiere at Cannes in May, [Agnès] Varda’s latest documentary has cemented itself on my running list of the year’s best titles,” writes Manohla Dargis in the New York Times. “Made with the French...
The Daily
Jul 31, 2017 — Broadway World has broken the sad and startling news that “playwright, actor, author, screenwriter, and director Sam Shepard has passed away. Shepard, who had been ill with ALS for some time, died peacefully on July 27 at his home in...
The Daily
Jul 12, 2017 — La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...
Jun 6, 2017 — Combining sardonic humor with poignant characterizations, this cult comedy explores the discontents of two high-school graduates adrift in strip-mall America.
Mar 29, 2016 — Les Blank’s long-lost documentary revels in the trippy, eccentric world of and surrounding Tulsa Sound pioneer Leon Russell, transforming what might have been a standard concert movie into a genuine work of art.
Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.
Sneak Peeks
May 20, 2015 — We were thrilled to sit down with the iconic Bette Midler about her dazzling breakthrough performance as a Janis Joplin–esque rock star at the end of her rope in The Rose, a wild, energetic turn that was the result of...
Features
Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.
Essays
Aug 13, 2013 — John Frankenheimer burrows into the insidious side of the American sixties in his visually dazzling thriller.