The Criterion Collection
Aug 14, 2006 — The appearance of Eric Rohmer’s Six Moral Tales in the midst of the sixties’ sexual revolution brought unexpected sobriety to the European sexual drama and the comedy of erotic manners. Their stateside popularity successfully challenged the sauciness and candor audiences were...
Dec 17, 2024 — A remarkable breakthrough in Hong Kong action cinema, this rip-roaring spectacle represents the peak of Hung’s commitment to ensemble-oriented filmmaking.
Jul 25, 2023 — A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
Short Takes
Apr 5, 2019 — Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...
The Daily
Oct 7, 2017 — “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...
The Daily
Jun 18, 2017 — “This book will be one of the most important film publications of 2017,” declares David Bordwell, introducing a guest post from Charles Maland, who’s edited Complete Film Criticism: Reviews, Essays, and Manuscripts, Volume Five in the University of Tennessee Press...
The Daily
May 23, 2017 — “He was the epitome of the suave English gent, quipping sweatlessly in a bespoke three-piece suit, who enjoyed an acting career spanning eight decades,” writes Benjamin Lee for the Guardian. “On Tuesday, Roger Moore’s children announced his death at the...
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.