The Criterion Collection
On the Channel
Apr 13, 2017 — Reflecting on Jean Marais’s performance as the hero in Orpheus, Jean Cocteau once said that the actor “illuminates the film for me with his soul.” At the heart of the visionary auteur’s extravagantly designed fantasy worlds, Marais served as an...
On the Channel
Dec 8, 2016 — It may be the season of cheerful carols and twinkling lights, but the holidays also bring about a melancholy mood that has inspired some of the world’s greatest filmmakers. This week on the Criterion Channel at FilmStruck, our new series...
Sneak Peeks
Nov 4, 2016 — For our edition of the six-part chanbara epic Lone Wolf and Cub, we spoke with the author of the wildly popular manga series on which the films are based.
Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.
Sep 12, 2016 — Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.
Features
Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.
Production Notes
Jul 18, 2016 — Criterion’s resident researcher and web producer takes a trip to Madrid bookstore Ocho y Medio, which she calls “a shrine to Spanish contributions to the seventh art.”
Jul 5, 2016 — Arthur Hiller’s 1979 comedy pairs Alan Arkin and Peter Falk as unlikely comrades in a madcap farce that lands every laugh.
Short Takes
Jun 7, 2016 — “One of the discoveries of the road movies was not only that you could travel and work and make a film at the same time, and improvise it, but that rock and roll could also be, in the true sense,...
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.