The Founder

Feb 13, 2006 — Jean Renoir’s classic film shows the natural world and the power of technology as wedded through the closely coordinated labor—effected through glances and sign language—of two men.

Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

Sep 13, 2019 — Lucrecia Martel, Annette Michelson, Satyajit Ray, and Joanna Hogg feature in this week’s round.

Mar 20, 2018 — For the London Review of Books, Gaby Wood writes about Nicholas Ray’s In a Lonely Place (1950) and the 1947 novel it’s based on by Dorothy B. Hughes. “When filming began, Ray was married to its female lead, Gloria Grahame;...

Dec 25, 2017 — New York. The Film Society of Lincoln Center’s series Emotion Pictures: International Melodrama rolls on through January 7. “The genre of melodrama, which displays the grand, tragic passions that mark everyday lives while also detailing historical events that knock those...

Dec 6, 2017 — We’ve seen the features—all of them—and the lineups for the new Indie Episodic section as well as the Shorts and Special Events. Today, the Sundance Film Festival, whose 2018 edition runs from January 18 through 28, presents the lineup for...

Jun 18, 2017 — “This book will be one of the most important film publications of 2017,” declares David Bordwell, introducing a guest post from Charles Maland, who’s edited Complete Film Criticism: Reviews, Essays, and Manuscripts, Volume Five in the University of Tennessee Press...

Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.

Jul 8, 2015 — Steve Blauner, one of the founders of BBS, the production company that produced Five Easy Pieces, The Last Picture Show, The King of Marvin Gardens, and more, died last month at age eighty-one. We were lucky enough to sit down...

Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.