The Criterion Collection
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Essays
Mar 29, 1999 — Terry Gilliam’s Time Bandits was the most critically well-received children’s film in nearly two decades—and also the most challenging and rewarding fantasy-adventure movie since Alexander Korda’s The Thief of Bagdad, released forty-one years earlier. At the dawn of the 1980s,...
The Daily
Jun 17, 2020 — At a 2012 screening of work by the late artist and filmmaker, programmer Ed Halter declared: “Luther Price is Brakhage after Punk.”
The Daily
Jan 28, 2025 — We’re reading about Wes Anderson and David Cronenberg and looking forward to books on David Lynch and Pedro Almodóvar.
The Daily
Mar 5, 2024 — Friends and admirers pay tribute to his rigorous scholarship, his boundless enthusiasm, and his warm generosity.
Aug 31, 2017 — “Lucrecia Martel is the elusive poet of Latin-American cinema, missing believed lost, the Mary Celeste in human form,” begins the Guardian’s Xan Brooks. “She made La Cienaga and The Holy Girl; split the Cannes audience in two with her brilliant,...
The Daily
Aug 4, 2023 — Look who’s talking: Carl Franklin, Claire Simon, Ira Sachs, Jim Jarmusch, Sally Potter, Laura Citarella, Christoph Hochhäusler . . .
Features
Mar 9, 2020 — “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...
Essays
Feb 22, 2011 — Andrea Arnold seemed to emerge out of nowhere with Red Road (2006), her revelatory, shrewdly observed debut feature about voyeurism and sexual revenge. That film won Arnold multiple awards, and she had already earned an Oscar for her short Wasp...
The Daily
Dec 3, 2024 — Absent from so many critics’ best-of-2024 lists, A Different Man wins Best Feature.