The Criterion Collection
Apr 29, 2025 — To commemorate the fiftieth anniversary of the fall of Saigon, the director of Three Seasons discusses a selection of landmark films that have shaped how we remember this devastating and divisive conflict.
Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.
The Daily
Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.
On the Channel
Oct 27, 2021 — Channel Calendars Celebrate Noirvember on the Criterion Channel with a tribute to the cool-as-ice Robert Mitchum, whose nonchalance and quiet menace made him a defining presence in American cinema’s underworld. Or enjoy the sophisticated, pitch-dark pulp classics in our Fox...
On the Channel
Nov 30, 2020 — Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...
Features
Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.
Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.
The Daily
May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.
Feb 14, 2023 — Entrenched as an authoritative adaptation, this Oscar-winning hit is still admired, taught, and studied today for its spectacular re-creation of the past and its reinvention of the Shakespearean spoken word.