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The Circle

Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.

May 27, 2021 — First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

Oct 7, 2017 — “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...

May 18, 2017 — “Todd Haynes’s films, intellectually rigorous and often profoundly moving, are fractured stories in which alienated, beautiful characters try to find love (or a certain likeness) in the delicate folds of real life,” begins David Ehrlich at IndieWire. “All of this...

Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.

Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.

Jul 3, 2013 — PerformancesIn Rosemary’s Baby, one of the first exclamations that Minnie Castevet (Ruth Gordon) makes on hearing the news that her young neighbor Rosemary (Mia Farrow) is expecting a little bundle of joy is “I can’t wait to tell Laura-Louise!” Earlier,...

Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.

December Books

The Daily

Dec 18, 2025 — At year’s end, we’re reading about the partnership and breakup of Alfred Hitchcock and composer Bernard Herrmann—and much more.

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