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The Border

Feb 6, 2019 Ten forward-looking features and a few intriguing revivals will screen from today through Sunday in New York.

Dec 11, 2017 Before we delve into the city-by-city breakdown, lets note that, following its announcement late last month of its narrative and documentary feature film competition lineups, Slamdance has unveiled the lineups for its Beyond and Shorts programs. Slamdance 2018 will run...

Sep 30, 2017 “Nine years in the making, Western draws its title from [Valeska] Grisebach’s generic source inspiration, the American Western,” wrote Michael J. Anderson in a dispatch back to the Oklahoma City Museum of Art a couple of weeks ago. “Noted for...

May 20, 2017 “To fans of the mononymous Barbara—the delicate-voiced, emotionally acute French chanteuse adored by everyone from Jacques Brel to François Mitterand—Mathieu Amalric’s mega-meta, dreamily blurred biopic-within-a-film may seem a bemusing tribute to a national icon,” writes Guy Lodge at the top...

Nov 24, 2015 In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Jun 17, 2015 Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.

Jun 26, 2012 Hiroshi Inagaki’s action epic is as responsible for creating Toshiro Mifune’s legendary cinematic persona as the films of Kurosawa.

Apr 12, 2011 Siddhartha Gautama, the Buddha, drew a circle with a piece of red chalk and said: “When men, even unknowingly, are to meet one day, whatever may befall each, whatever their diverging paths, on the said day, they will inevitably come...

May 25, 2010 Between 1952 and 2003, depending on how the various serial works are counted, Stan Brakhage made somewhere between 350 and 400 films, about half of them short film poems under ten minutes in length, most of the rest between ten...

Jan 21, 2002 A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.

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