The Bear

Sep 28, 2021 — Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...

Aug 25, 2020 — Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...

Aug 6, 2019 — Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...

Jan 17, 2012 — At once a political epic and a radical gesture in personal filmmaking, Steven Soderbergh’s Traffic is an unexpected, unlikely triumph. It was a film that Hollywood didn’t want to make—every studio in town turned it down—that went on to secure...

Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.

Nov 4, 2022 — Aubrey Plaza has received critical acclaim for her performances in Emily the Criminal, Happiest Season, The White Lotus, Black Bear, and Ingrid Goes West. Her upcoming projects include Guy Ritchie’s Operation Fortune and Francis Ford Coppola’s Megalopolis.

Jul 9, 2021 — This week: Bresson’s rhythms, Hawks’s bravura, Márta Mészáros’s choreography, and the everlasting No Wave of Beth B.

Feb 1, 1988 — Charles Laughton’s classic has the feel and the force of an American folk fable; yet, it also mixes rural humor with gothic humor, biblical quotation and Freudian symbolism, and everyday realities with a near-mythic confrontation between the forces of good...

Mar 4, 2026 — Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.