Student No. 1

Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.

Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.

Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.

Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.

Nov 15, 2011 — You make films to give people something, to transport them somewhere else, and it doesn’t matter if you transport them to a world of intuition or a world of the intellect.Krzysztof Kieślowski said that he did not care about cinema,...

Sep 19, 2011 — Jean-Luc Godard, lover of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,” a pronouncement, like so many of the pithy mots Godard used to reel off in the pages of Cahiers du...

Jan 25, 2011 —  Sapphire: Inner City Given his strikingly eclectic body of work, it’s not surprising that Basil Dearden has never become a household name—he’s too hard to pin down. Moving effortlessly among comedies, melodramas, and thrillers, over a thirty-five-film, nearly thirty-year career,...

Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...