Priest

Apr 10, 2017 — An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.

Aug 4, 2014 — Rebellious children of the sixties become conflicted consumers of the eighties in Lawrence Kasdan’s elegiac comedy-drama.

Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?

May 8, 2013 — There’s fashion forward and then there are the gonzo styles featured in William Klein’s surreal and savage Who Are You, Polly Maggoo?. A  poke to the ribs of 1960s haute couture and a skewering of media pretension, Klein’s visually daring...

Feb 22, 2012 — When it comes to depicting actual people’s jobs, the truism goes, Hollywood gets everything wrong with stunning regularity. The rare exception is Otto Preminger’s Anatomy of a Murder (1959), widely considered among the finest trial films ever made, and maybe...

Dec 22, 2011 — Performances Ingmar Bergman had originally envisioned Ingrid Bergman in the role of Helena Ekdahl, the matriarch who presides over Fanny and Alexander (1982) like a benevolent, gloriously red-swathed empress. The actress, however, who had already been ailing while shooting the...

Aug 31, 2011 — City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto lecture “Towards a Social Cinema,” delivered to the Groupement des Spectateurs d’Avant-Garde at Paris’s Le Vieux-Colombier before what was only the second public screening of À propos...

This major figure of the New German Cinema has won acclaim for his literary adaptations and films that explore German history and identity.

Mar 15, 2011 — The site of Louis Malle’s film Au revoir les enfants was the Petit-Collège d’Avon, a residential prep school located on the grounds of the Carmelite monastery abutting the park of the fabled French palace of Fontainebleau. Malle attended this school...

Jun 10, 2009 — Kind Hearts and Coronets, that most wicked comedy of ill manners, had established Alec Guinness as an acting force—and coming so soon after he had disappeared into the role of Fagin in David Lean’s Oliver Twist, his dazzling embodiment of...