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Apr 15, 2025 — This year’s edition features Laura Wandel’s follow-up to Playground and the first feature from Sean Baker collaborator Shih-Ching Tsou.

Apr 14, 2025 — This month’s programming brings seaside thrills and white-knuckle tension, noir classics from a politically repressive era in American history, early gems from Kathryn Bigelow, and guest-curated picks from Spike Lee.

Apr 10, 2025 — The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.

Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.

Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.

Mar 21, 2025 — Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”

Mar 11, 2025 — New restorations of The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984) arrive in the U.S.

Mar 10, 2025 — The Museum of the Moving Image’s annual showcase of “adventurous new cinema” is on from Wednesday through Sunday.

Mar 3, 2025 — Sean Baker’s eighth feature wins five top Academy Awards.

Mar 3, 2025 — His range was astounding, and yet every performance was immediately recognizable as uniquely his.