Back To Search

Open Your Eyes

Sep 19, 2005 Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

Aug 2, 2004 Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Mar 17, 2026 In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

What Comes After

The Daily

Jan 24, 2025 We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.

Jun 4, 2025 BAMPFA spotlights postwar American noirs creeping out into wide-open spaces.

Jan 14, 2025 There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.

Aug 29, 2024 Beetlejuice Beetlejuice has some critics rolling their eyes, while others embrace his unique and newly reinvigorated vision.

Mar 12, 2019 The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.

Current Page
22
of 22

You have no items in your shopping cart