The Criterion Collection
Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.
Essays
Jun 25, 2015 — German director Bernhard Wicki proved his uncommon cinematic skill with his heartbreaking tale of teen soldiers sent off to die near the end of World War II.
Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.
Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Interviews
Apr 18, 2014 — The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.
Film Guides
Jan 6, 2014 — Critics commonly describe Throne of Blood (1957) as Akira Kurosawa’s adaptation of Macbeth. While this description is certainly not untrue, the film is much more than a direct cinematic translation of a literary text. Kurosawa’s movie is a brilliant synthesis...
Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.