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May 25, 2017 — “The act of seeing has a special meaning in Japanese director Naomi Kawase’s Radiance, in which the job of character Misako (Ayame Misaki) is to write the scripts for the audio-assist provided for blind patrons at the movies,” writes Barbara...

May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.

May 22, 2017 — “Philippe Garrel has always only needed the barest means to make movie magic,” begins Daniel Kasman in the Notebook: “a beautiful, tragic face, a sad wall to put behind it, a mournful, pensive walk alone on the street. He is...

Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.

Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.

Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.

Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.

Jul 6, 2016 — The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.

Jul 5, 2016 — Arthur Hiller’s 1979 comedy pairs Alan Arkin and Peter Falk as unlikely comrades in a madcap farce that lands every laugh.

Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.

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