The Criterion Collection
Essays
Jun 18, 2007 — Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.
Oct 16, 2006 — Alfonso Cuarón’s first film—a sex farce that pokes fun at Mexican culture, including a public-service AIDS campaign—emerged from Mexico’s beleaguered state funding system for cinema, and was initially shelved by the government.
May 9, 2005 — Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.
Essays
Jul 19, 2004 — In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Essays
Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.
The Daily
Aug 13, 2020 — A sharp panel recommends events around the world, while New York and Venice add titles to their lineups.
The Daily
Jan 14, 2026 — There’s a Visconti retrospective on in Vienna, a restored Comencini in New York, and films by Antonioni, Olmi, and Bertolucci will screen at Harvard.
Aug 8, 2024 — The two fall festivals will present films by Mohammad Rasoulof, Mike Leigh, Dea Kulumbegashvili, and Hong Sangsoo.
The Daily
Jan 29, 2021 — This week sees a new publication, a revived column, and countless hours of conversations about movies.