The Criterion Collection
Jun 8, 2022 — The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.
Features
May 13, 2022 — The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.
Features
Apr 27, 2022 — In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.
The Daily
Feb 24, 2022 — More than seventy films, including work from Sergei Parajanov, Ana Vaz, Ben Rivers, and Daïchi Saïto, are freely available worldwide.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
Feb 11, 2022 — The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.
The Daily
Feb 4, 2022 — This week: Céline Sciamma, Julia Ducournau, Jane Campion, Mahamat-Saleh Haroun, and Joachim Trier and Renate Reinsve.
Feb 2, 2022 — Released in 1972, Perry Henzell’s thrilling drama The Harder They Come, starring real-life reggae icon Jimmy Cliff as singer-turned-outlaw Ivanhoe Martin, was among the first films to prominently feature reggae music both as subject matter and on its soundtrack. The...
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
Jan 31, 2022 — Movies are about looking, and no one involved in the making of a film is more directly responsible for the frames we look at than a cinematographer, or director of photography. Together with the director, the cinematographer shapes the visual...