The Criterion Collection
The actor shares her longtime love for the films of Akira Kurosawa, talks about seeing Children of Paradise at an art-house cinema in the 1940s, and fondly recalls riding a scooter with Richard Roundtree.
The playwright and actor praises Do the Right Thing as the best film of the eighties, talks about the comfort of watching his favorite westerns, and selects Chicago cinema classics like Hoop Dreams and love jones.
The actor reminisces about falling in love with Josef von Sternberg and Marlene Dietrich’s collaborations at a young age, praises Andrea Arnold’s distinct vision, and talks about how David Cronenberg’s films strike a unique balance between the extreme and the...
The writer and director talks about the influence of Fast Times at Ridgemont High, shares his love for Original Cast Album: “Company,” and takes his chances on a series of blind selections.
The actor talks about her favorite scenes in Beau travail and Punch-Drunk Love, admires Nicole Kidman’s performance in To Die For, and shares her desire to dance with Bob Fosse.
The musician selects classic love stories like I Know Where I’m Going! and The Earrings of Madame de . . ., talks about the dramatic suspense of Elevator to the Gallows, and reenacts a favorite moment from Band of Outsiders.
The legendary fashion designer talks about falling in love with The Red Shoes, shares why Moonstruck is a perfect movie to watch anytime and with anyone, and delights in the haunting glamour of Isabella Rossellini in Blue Velvet.
The writer, director, and performer shares her love for Claudia Weill’s Girlfriends, praises Mary Ellen Mark’s tender gaze on her subjects in Streetwise, and talks about how Okja portrays the beauty of interspecies connection.
The writer and director reminisces about seeing Short Cuts at the Venice Film Festival, selects Merry Christmas Mr. Lawrence out of love for Ryuichi Sakamoto, and takes home the one Stanley Kubrick film he hasn’t see.
The musician and author reminisces on her formative experiences watching Federico Fellini movies with friends, shares her love for the visual and emotional composition of Yi Yi, and talks about the haunting naturalism of Hirokazu Kore-eda’s work.