The Criterion Collection
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
The Daily
Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...
May 5, 2017 — Did You See This? To celebrate the centennial birthday of iconic French actor Danielle Darrieux, Dan Callahan has written an ode to her breathtaking work in the films of Max Ophuls and Jacques Demy. Of her performance in The Earrings...
Jun 25, 2012 — For this Edinburgh-based writer and filmmaker, Hitchcock’s Scottish caper is both fantasy and reality.
Interviews
Jun 7, 2012 — In this classic self-interview, published to coincide with the release of Summer with Monika, the director reveals key elements of his filmmaking process.
Nov 3, 2009 — If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.
Essays
Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.
Essays
Oct 22, 2024 — In his entrancingly deviant directorial debut, Harmony Korine captures life in an impoverished, tragedy-stricken small town in all its beautiful fragility.
Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...