It Ends

Aug 18, 2025 — Further winners in Locarno include White Snail, God Will Not Help, and Tales of a Wounded Land.

Aug 14, 2025 — MoMI presents a series of films that might be found in the neighborhood of Ari Aster’s fourth feature.

Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”

Jun 27, 2025 — We’re revisiting 1975, reassessing 2025, and reading about Serge Daney and Hong Sangsoo.

Jun 24, 2025 — The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.

Jun 17, 2025 — Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.

Jun 17, 2025 — Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.

Jun 5, 2025 — The festival is hosting film premieres, live performances, immersive experiences, and conversations about a few enduring movies.

May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.

May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.