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It’$ Only Money () also writer

Jun 3, 2026 This year’s lineup features lots of music, another De Niro and Scorsese reunion, and an AI-generated feature.

Feb 3, 2026 This year’s winners tell stories of trauma and triumph.

Jan 20, 2026 A smash hit at the box office, this electrifying adventure film established the team of director Michael Curtiz and actors Errol Flynn and Olivia de Havilland as one of the most iconic creative partnerships in Hollywood.

Dec 9, 2025 In one of cinema’s greatest love stories, Michael Powell and Emeric Pressburger use the mercurial beauty of Scotland’s Inner Hebrides to evoke the unruly passions of an indelible heroine.

Él: Mad Love

Essays

Nov 18, 2025 This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.

Sep 25, 2025 To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.

Aug 25, 2025 In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.

May 20, 2025 A film about and against everything, this astonishingly original comedy attacks Big Brother, the bomb, and the incipient collapse of our planetary ecosystem, along with the lies that stop us from recognizing all of the above.

Apr 29, 2025 A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.

Feb 11, 2025 Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.

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