The Criterion Collection
May 12, 2016 — When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Essays
Aug 12, 2014 — The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Essays
Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.
Interviews
Apr 27, 2010 — From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...
Essays
Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.
Apr 14, 2026 — Consider, for a moment, the jewel thief. No, not like the gang that, at the time of this writing, recently robbed the Louvre in Paris, France. Think rather of one you might find in Paris, Paramount. After all, as director...
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...