Back To Search

Good Time

Jul 2, 2024 Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.

Feb 28, 2023 In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.

Dec 13, 2022 A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.

Feb 26, 2021 First Person When I was eight years old, I discovered what it meant to be of two minds. I didn’t discover this in any intellectual way; this was brought to bear on me in 1973 because that’s the year my...

Sep 4, 2019 The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.

Sep 29, 2017 One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.

Mar 21, 2017 A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.

Nov 16, 2016 The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.

Oct 29, 2009 In the spirit of the season, we asked a select coven of horror mavens (including a couple of our own) to write about their favorite Criterion scarefests. Chuck StephensEquinox: The Eyebrows of Mr. Asmodeus There are myriad ways into Equinox,...

The Blob

Essays

Nov 13, 2000 Featuring what may be the only 1950s monster that could not be destroyed, this cult classic warns parents to listen to their kids because the world they understood and controlled is over.

Current Page
22
of 206

You have no items in your shopping cart