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Oct 7, 2017 We begin with Angelo Muredda, writing for Cinema Scope: “Joachim Trier makes a sterling if somewhat noncommittal bid for post-horror with Thelma, a slow-burn supernatural thriller about a Norwegian teen (Eili Harboe) who goes away to college (and away from...

Aug 25, 2017 Cinephiles were shocked last month by the news that Hans Hurch, who had been the director of the Vienna International Film Festival (Viennale) since 1997, suffered heart failure in Rome, where he had been meeting with Abel Ferrara, and passed...

Jan 19, 2017 Rainer Werner Fassbinder plays a working-class gay man hoodwinked by his uppity bourgeois lover in this unsparing portrait of queer culture in 1970s West Germany.

Dec 14, 2016 Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

Dec 9, 2014 Liliana Cavani’s tale of the sadomasochistic bond between an ex-SS officer and a former concentration camp prisoner is a transgressive take on history and fascism.

Oct 29, 2014 George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.

Sep 18, 2012 Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.

May 8, 2012 These thoughts on La haine by director Costa-Gavras first appeared in the program book for the 2006 Toronto International Film Festival, where the film was screened. La haine is a phenomenon, in that it is an abnormal, a surprising, and...

Feb 14, 2012 For nearly three decades, Hideo Gosha (1929–1992) made some of the most explosive, artful, and original films in Japanese cinema. Along the way, he also became one of his country’s most established and acclaimed filmmakers. But his reputation in the...

Dec 6, 2011 The Lady Vanishes (1938) is the film that best exemplifies Alfred Htchcock’s often-asserted desire to offer audiences not a slice of life but a slice of cake. Even Claude Chabrol and Eric Rohmer, in their pioneering study of Hitchcock, for...

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