A Part of Me

May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.

Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.

Aug 30, 2016 — Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.

Aug 24, 2016 — During a 2006 meeting with the author, French New Wave icon Jeanne Moreau reminisced about working with Orson Welles, Louis Malle, and François Truffaut, and her turn to acting as a means of eluding the “destiny of a regular girl.”

Jun 1, 2016 — Repertory PicksThis week, as part of a complete survey of Robert Aldrich’s career (running through mid-August), the Harvard Film Archive in Cambridge, Massachusetts, will screen the director’s explosive 1955 noir masterpiece Kiss Me Deadly. Based on Mickey Spillane’s pulp novel...

May 12, 2016 — When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.

Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”

Nov 4, 2015 — Linklater circa 1990 In 1985, six years before the release of Slacker, Richard Linklater's iconic portrait of a generation, the Texan filmmaker founded the Austin Film Society. The group began as a small band of cinephiles eager to see classic,...