The Criterion Collection
Oct 28, 2020 — More than anything, Claudine felt like a reprieve; the film, directed by John Berry and released in 1974, gave audiences a compelling alternative depiction of Black life from those about Black drug lords and mafia dons fighting over real estate...
The Daily
Sep 4, 2020 — The festival opens with a winning oddity from Greece and an Italian time-hopping family drama.
On the Channel
Sep 3, 2019 — In the early sixties, John Schlesinger made a name for himself as part of the British New Wave, as the energetic, gritty realism of his first few features—A Kind of Loving, Billy Liar, and Darling (for which Julie Christie won...
The Daily
Jul 17, 2019 — The program of more than three hundred films includes new work by Pedro Costa, Koji Fukada, and Jeanne Balibar.
The Daily
Jul 11, 2019 — Once again, the Cineteca di Bologna has presented a richly varied showcase of discoveries, rediscoveries, and new restorations.
Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.
The Daily
Aug 9, 2018 — Toronto will host the world premieres of Michael Moore’s Trump documentary and David Gordon Green’s Halloween reboot.
Essays
Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.