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A Funny Man

Jan 27, 2010 This piece first appeared in the 1991 Wim Wenders collection The Logic of Images: Essays and Conversation (Faber and Faber), translated by Michael Hofmann. The story’s about a man who turns up somewhere in the desert out of nowhere and returns...

Sep 22, 2009 Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...

Sep 15, 2009 Words are the trained fleas in David Mamet’s sidewalk circus—dirty words, often bloodstained, usually swarming, that perform their acrobatic stunts for gawkers who will likely get their pockets picked. That’s the reputation, anyhow. More than thirty years after he made...

Feb 3, 2009 Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.

Jul 14, 2008 Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.

Apr 25, 2005 Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.

Secret Honor

Essays

Oct 18, 2004 Nixon as Hamlet, Nixon as Lear, Nixon as Blanche DuBois, Nixon as Krapp—clutching every last tape to his breast with the wild fury and despair of a man on the precipice . . . Nixon in his study, poring over...

Jan 5, 2004 One of the most original—and hilarious—comedies ever made, M. Hulot’s Holiday has delighted and disarmed moviegoers the world over since its first appearance in 1953. There’s little in the way of plot or dialogue to this French-made farce about a...

Dec 30, 2003 Akira Kurosawa was a man of his time, who participated fully in the artistic and intellectual world of Japan from the 1930s until his death in 1998. Although filmgoers may think of him in terms of the screen images he...

The Lady Eve

Essays

Oct 15, 2001 Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.

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