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Jan 13, 2020 — Soon after completing his 1928 silent masterpiece The Passion of Joan of Arc, Danish filmmaker Carl Theodor Dreyer turned his attention to a genre he had not yet explored on-screen, undertaking to make a horror movie that was, in his...

Jan 13, 2020 — The romantic comedy Holiday (1938), the third of four collaborations between Katharine Hepburn and Cary Grant, is a sparkling testament to what makes the pairing one of Hollywood’s most iconic. With the film, George Cukor, who also directed Grant and...

Jan 13, 2020 — A key figure of the Czechoslovak New Wave, Passer went on to direct a classic American neonoir.

Jan 10, 2020 — How do movies work? It’s a question that seems to have been on more than a few minds this week.

Jan 10, 2020 — How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...

Jan 9, 2020 — The UCLA Film & Television Archive presents a series of films bearing aesthetic and political similarities to the Italian neorealist classics of the late 1940s.

Jan 9, 2020 — MoMA presents an eclectic selection of new restorations and discoveries from around the world.

Jan 8, 2020 — When it comes to building a genuine relationship between characters on-screen, how do you capture the feeling of a shared history? How much begins with what’s written on the page, and how much relies on the chemistry between actors or...

Jan 7, 2020 — The filmmaker, theater director, and Actors Studio instructor had a seemingly endless string of stories to tell.

Jan 7, 2020 — Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...