The Criterion Collection
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.
Jan 30, 2013 — The improvisational arts of filmmaking, jazz, and chili.
Nov 30, 2009 — The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...
Jun 15, 2009 — With the arrival of this film, cinema catapulted to the front line of a cultural advance guard that sought to undermine the intractable mass taste promoted by Hollywood, television, and the Brill Building.
Apr 30, 2009 — The following article, based on an interview with Nagisa Oshima conducted by Katsue Tomiyama in April 1983, first appeared, in slightly longer form, in the Japanese magazine Image Forum. Tomiyama is a film producer and cofounder of Image Forum, and...
Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.
Jan 22, 2007 — Spencer Gordon Bennet’s eclectic science fiction–adventure movie bundles a serious patriotic message within its retelling of the Odysseus myth.
Oct 23, 2006 — Throughout the sixties and seventies, the Italian director created a series of political dramas that were at once provocations, exposés, puzzles, and acts of virtuosity.
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....