Us and Them

Nov 26, 2010 — Early in Peter Bogdanovich’s The Last Picture Show, as the wind from the Texas plains whips the small town of Anarene, the high-school senior Sonny Crawford (Timothy Bottoms) halts his recalcitrant pickup truck—Hank Williams is warbling “Why Don’t You Love...

Sep 3, 2007 — Ataxi, without a client in the car or anywhere else in sight, goes around Helsinki’s Senate Square, a place that resonates with history, having seen more patriotism, class struggle, and celebration than any other place in faraway Finland. It stood...

Nov 15, 2004 — Short Cuts is an L.A. jazz rhapsody that represents Robert Altman at an all-time personal peak—and it came at just the right time in his career.

Dec 3, 1990 — Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...

May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

Sep 9, 2022 — New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.

May 2, 2019 — The new issue features essays on work by Joanna Hogg and Olivier Assayas and a celebration of its publisher’s fiftieth anniversary.

Sep 12, 2018 — Both Sunset and Our Time have their champions and detractors.

Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.

Feb 12, 2013 — The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.